Those fine folks at AghaRTA are putting on what could be the musical event of the year: Two free concerts in Old Town Square (9th and 10th of August) featuring some of the best musicians in Europe. Younger stars such as Matej Benko will be playing on the same bill as established Prague Jazz legends, including Emil Viklický and Luboš Andršt!
The weather should be hot, the music will be cool, and life should be very good indeed. You would be a bloody fool not to go.
If that isn't enough, AghaRTA Jazz Centrum will be also featuring a week of concerts by young women in jazz, including the fabulous Pavla Milcová.
Details can be found at http://www.agharta.cz/index.php?p=program&site=agharta_apjf
Wednesday, June 25, 2008
Wednesday, June 18, 2008
Gig Review: Emil Viklický Trio
AghaRTA Jazz Centrum
13th June 2008
Jazz is serious music, and serious music is serious business. Serious business requires serious people to watch a serious band while getting seriously drunk and (in the case of men only) seriously stroking their beards. Jazz doesn’t get much more serious than the Emil Viklický Trio, and yet their performance on stage is always infused with joy and fun. They are one of the finest jazz ensembles in Central Europe. They will also put a big stupid grin on your face.
It was in the cellar of AghaRTA that I first saw the EVT, and once again I ventured down those twisting stairs wondering just how that grand piano ever made the journey. Tourist season was well and truly in full swing. Some loudmouth had got his wallet stolen earlier in the day. An Australian woman said it was common in Czechoslovakia. The pickpockets must be really good if they can hit a tourist almost two decades after their country of work ceased to exist. But for all the inane chatter this club does tend to bring in the more knowledgeable class of fool, and silence during the three sets was refreshingly observed.
It would have been hard to talk during the music though. At least for anyone who wasn’t dead from the soul up, for three maestros were doing their stuff, and doing it in style. The Trio consists of EV on piano, Laco Tropp on drums, and František Uhlíř on acoustic bass. With over a century of playing experience between them they have every trick in the book to call upon, and yet when performing they have the vigour of a bunch of teenagers. This is no hackneyed reparatory for the punters; they are for real.
Viklický, as befits a native of the fine wine-drinking town of Olomouc, has made a name for himself with music inspired by Moravian folk songs. He manages to capture the spirit of these lilting melodies and alloy them into his own arrangements. The results are usually complex, timeless, and achingly beautiful. His original “Highlands, Lowlands” is one of the most perfect pieces of music I have ever heard, with its descending bitter-sweet motif cascading out of variations galore and bringing you back home after each adventurous journey. Similarly, “Wine, Oh Wine” (you can tell he is from Moravia, not Bohemia!) retains an essential simplicity and echoes sentiments from the other end of the country.
There are times when the vitality you see is in contrast with the music you hear; gentle piano phrases dripping in minor tones and darkness. He never goes too far though, and he is capable of snapping you out of it (just before you have to start pretending that you’ve got smoke in your eye) by wheeling into a brief big band boogie arrangement that makes you wonder where the stripper is.
Fun really is the order of the day. Viklický slides and squirms on his stool as he pounds the keys: a fine exponent of whole-body playing. Sometimes he jumps up and he is, to date, the only jazz pianist here I’ve seen play even a few notes whilst on his feet. Occasionally he reaches inside the body of the grand and ends a song with a playful plink, directly on the strings. He’s into it, and it is very hard for anyone watching to remain detached.
Emil is not the only showman on stage though. František Uhlíř is an exciting bassist to watch. He does all the quick stuff that you would expect, but he also compliments his musical vocabulary with funky thumb slaps and long slides up and down the neck that produce a resounding quivering twang. Uhlíř is also an accomplished composer in his own right, and his “Father’s Blues” was given a thorough workout.
Tropp on drums is no slouch either, but one of the joys of listening to a grownup drummer is that they know when to play and when to shut up. With nothing to prove he is not afraid to back off and leave room, making it all the sweeter when he does give it some serious boot. He is also the band’s resident linguist, enthusiastically converting Czech and English song titles into German and Hungarian.
As sometimes occurs, in this city of adaptable jamming musicians, Emil had a special guest with him for one song. His granddaughter, Tamarka, was in town and she joined him on vocals for one song. Sweetly delivered, she has a stage presence that defies her tender years. One wonders when her first album will be out.
The trio played three sets, and that is a lot of music, but they never threatened to go flaccid in the middle. Their final blast of “Buhaina, Buhaina” (Brown) was a jaunty kick into the night, and the band received one of the warmest rounds of applause I have heard in a while.
Three supreme musicians. Three characters on stage. Three men who truly understand the shape and form of music. A trio of reasons to go and see the Trio. They play complex material and do it so well that it all seems so perfectly simple. They play songs full of yearning that leave you satisfied. And most of all they will make you smile. In this world that can count for a lot.
13th June 2008
Jazz is serious music, and serious music is serious business. Serious business requires serious people to watch a serious band while getting seriously drunk and (in the case of men only) seriously stroking their beards. Jazz doesn’t get much more serious than the Emil Viklický Trio, and yet their performance on stage is always infused with joy and fun. They are one of the finest jazz ensembles in Central Europe. They will also put a big stupid grin on your face.
It was in the cellar of AghaRTA that I first saw the EVT, and once again I ventured down those twisting stairs wondering just how that grand piano ever made the journey. Tourist season was well and truly in full swing. Some loudmouth had got his wallet stolen earlier in the day. An Australian woman said it was common in Czechoslovakia. The pickpockets must be really good if they can hit a tourist almost two decades after their country of work ceased to exist. But for all the inane chatter this club does tend to bring in the more knowledgeable class of fool, and silence during the three sets was refreshingly observed.
It would have been hard to talk during the music though. At least for anyone who wasn’t dead from the soul up, for three maestros were doing their stuff, and doing it in style. The Trio consists of EV on piano, Laco Tropp on drums, and František Uhlíř on acoustic bass. With over a century of playing experience between them they have every trick in the book to call upon, and yet when performing they have the vigour of a bunch of teenagers. This is no hackneyed reparatory for the punters; they are for real.
Viklický, as befits a native of the fine wine-drinking town of Olomouc, has made a name for himself with music inspired by Moravian folk songs. He manages to capture the spirit of these lilting melodies and alloy them into his own arrangements. The results are usually complex, timeless, and achingly beautiful. His original “Highlands, Lowlands” is one of the most perfect pieces of music I have ever heard, with its descending bitter-sweet motif cascading out of variations galore and bringing you back home after each adventurous journey. Similarly, “Wine, Oh Wine” (you can tell he is from Moravia, not Bohemia!) retains an essential simplicity and echoes sentiments from the other end of the country.
There are times when the vitality you see is in contrast with the music you hear; gentle piano phrases dripping in minor tones and darkness. He never goes too far though, and he is capable of snapping you out of it (just before you have to start pretending that you’ve got smoke in your eye) by wheeling into a brief big band boogie arrangement that makes you wonder where the stripper is.
Fun really is the order of the day. Viklický slides and squirms on his stool as he pounds the keys: a fine exponent of whole-body playing. Sometimes he jumps up and he is, to date, the only jazz pianist here I’ve seen play even a few notes whilst on his feet. Occasionally he reaches inside the body of the grand and ends a song with a playful plink, directly on the strings. He’s into it, and it is very hard for anyone watching to remain detached.
Emil is not the only showman on stage though. František Uhlíř is an exciting bassist to watch. He does all the quick stuff that you would expect, but he also compliments his musical vocabulary with funky thumb slaps and long slides up and down the neck that produce a resounding quivering twang. Uhlíř is also an accomplished composer in his own right, and his “Father’s Blues” was given a thorough workout.
Tropp on drums is no slouch either, but one of the joys of listening to a grownup drummer is that they know when to play and when to shut up. With nothing to prove he is not afraid to back off and leave room, making it all the sweeter when he does give it some serious boot. He is also the band’s resident linguist, enthusiastically converting Czech and English song titles into German and Hungarian.
As sometimes occurs, in this city of adaptable jamming musicians, Emil had a special guest with him for one song. His granddaughter, Tamarka, was in town and she joined him on vocals for one song. Sweetly delivered, she has a stage presence that defies her tender years. One wonders when her first album will be out.
The trio played three sets, and that is a lot of music, but they never threatened to go flaccid in the middle. Their final blast of “Buhaina, Buhaina” (Brown) was a jaunty kick into the night, and the band received one of the warmest rounds of applause I have heard in a while.
Three supreme musicians. Three characters on stage. Three men who truly understand the shape and form of music. A trio of reasons to go and see the Trio. They play complex material and do it so well that it all seems so perfectly simple. They play songs full of yearning that leave you satisfied. And most of all they will make you smile. In this world that can count for a lot.
Monday, June 9, 2008
Jazz Radio
If you fancy a bit of quality jazz for free, and within reach of your armchair, then you really should check out Jazzový podvečer (Jazz Evening) on radio station Český rozhlas 3 – Vltava.
From their website:
“Jazz Evening forms a continual series throughout the week from Monday to Sunday (17:45 - 18:30 [Prague time]). Individual days are slightly different in their thematic scope: on Monday it is Personalities from the Contemporary Jazz Scene and Blues from the Pub and the Studio; on Tuesday Jazz Overlaps and Between Streams; on Wednesday Tour de Jazz and Jazz on CD; on Thursday Jazz Notes (news); on Friday Jazz Live (from concerts and festivals); on Saturday Life is Sweet (jazz and poetry); and on Sunday Jazz Lounging.”
Citizens of Prague can listen to Český rozhlas 3 on 105 FM, and citizens of the world can tune in via the internet at http://www.rozhlas.cz/audio/vysilani/
From their website:
“Jazz Evening forms a continual series throughout the week from Monday to Sunday (17:45 - 18:30 [Prague time]). Individual days are slightly different in their thematic scope: on Monday it is Personalities from the Contemporary Jazz Scene and Blues from the Pub and the Studio; on Tuesday Jazz Overlaps and Between Streams; on Wednesday Tour de Jazz and Jazz on CD; on Thursday Jazz Notes (news); on Friday Jazz Live (from concerts and festivals); on Saturday Life is Sweet (jazz and poetry); and on Sunday Jazz Lounging.”
Citizens of Prague can listen to Český rozhlas 3 on 105 FM, and citizens of the world can tune in via the internet at http://www.rozhlas.cz/audio/vysilani/
Monday, June 2, 2008
GigTips: June 2008
Summer is here in Prague. The mercury is rising, the thunder is rolling, and the dresses are even shorter than usual. In case you need to escape the heat or the torrential downpours, here are a few tips…
8th June, USP Jazz Lounge
Ondřej Kabrna Trio
Modern jazz trio, fronted by the most physically expressive pianist you are ever likely to see.
13th June, AghaRTA Jazz Centrum
EMIL VIKLICKÝ TRIO
Top-rate ivory bashing from the Moravian jazz-folk master and his crew.
14th June, All over the place.
It is Prague’s annual Museum Night, when entry to many museums is either free or for a token fee. There are many musical events put on for this night, including a midnight performance by Karel Růžička in the Czech Museum of Music.
Details can be found at: http://praha.muzejninoc.cz/
27th June, U Malého Glena
Cyrille Oswald Q - NL/CZ – Modern European jazz on one of UMG’s international jazz nights.
Of course these are just a few ideas; there is a whole heap of music out there to discover. Please remember to check the listings, and reserve ahead if you don’t want to be disappointed.
8th June, USP Jazz Lounge
Ondřej Kabrna Trio
Modern jazz trio, fronted by the most physically expressive pianist you are ever likely to see.
13th June, AghaRTA Jazz Centrum
EMIL VIKLICKÝ TRIO
Top-rate ivory bashing from the Moravian jazz-folk master and his crew.
14th June, All over the place.
It is Prague’s annual Museum Night, when entry to many museums is either free or for a token fee. There are many musical events put on for this night, including a midnight performance by Karel Růžička in the Czech Museum of Music.
Details can be found at: http://praha.muzejninoc.cz/
27th June, U Malého Glena
Cyrille Oswald Q - NL/CZ – Modern European jazz on one of UMG’s international jazz nights.
Of course these are just a few ideas; there is a whole heap of music out there to discover. Please remember to check the listings, and reserve ahead if you don’t want to be disappointed.
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